[7] Roger Ebert found the film at odds with itself, noting how the script has poor storytelling elements but contains "nice dialogue touches" delivered by the characters, saying that "it's a shame the plot is so contrived, because parts of this [movie] are really pretty good." [8] Janet Maslin of The New York Times called it a "light, undemanding comedy", commending its use of sitcom humor, bits of satire and the performances of Aniston, Douglas and Bacon, concluding that it "bounces busily among these players until it has to slow down and pretend to be sincere." [9] Marc Savlov of The Austin Chronicle heavily criticized the film for having the aesthetics of "an over-long, over-nice, made-for-TV movie that goes nowhere quick." He gave notice to Aniston's performance lacking sustainability to capture the big screen, and bringing the rest of the main cast to her acting level
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