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Kehinde Wiley’s acclaimed World Stage series inserts into the language of old master portraiture the very ethnicities and ethnic iconography that western art has most excluded from it
people watching
They aid him and many people of color in their continuing journeys toward asserting their presence and place in spaces that attempt to make them feel othered
Works are hung floor to ceiling
Essay by Jean-Charles Vergne
Kehinde Wiley: The Prelude Kehinde Wiley’s acclaimed World StageText by Christine Riding, Sarah Thomas, Zo Whitley. This volume accompanies the exhibition Kehinde Wiley: The Prelude at the National Gallery, London, December 10, 2021 April 18, 2022. The American artist Kehinde Wiley (b. 1977) is best known for his spectacular portraits that position people of colour in the traditional settings of old master paintings, raising questions about power, privilege and identity, and highlighting the absence or
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